Reviews
2021
David Mark Williams reviews Seán Ó Ríordáin’s, Apathy is Out
Hannah Stone reviews Patrick Wright’s, Full Sight of Her
Charles Rammelkamp reviews Laura Cronk’s, Ghost Hour
Claire Booker, Tom Rudd, J. C. M. Hepple,
John Gerard Fagan, Phil Vernon.
Jessica Barksdale reviews Alicia Hoffman’s Animal
Rosemary Badcoe reviews David Callin’s Always
David Mark Williams reviews Charles Rammelkamp’s Catastroika
David Mark Williams reviews David J. Costello’s Heft
Robert Cooperman reviews Charles Rammelkamp’s Ugler Lee
Hannah Stone reviews Anne Caldwell’s Alice and the North
Hannah Stone reviews Oz Hardwick’s Wolf Planet
Charles Rammellkamp reviews Peter Ramos’s Lord Baltimore
Hannah Stone reviews Angela Readman’s Cooking with Marilyn
Jack Little reviews Colin Carberry’s Ghost Homeland
Pippa Little reviews Paul Summers’ the dreamer’s ark,
Hannah Stone reviews Jennifer A McGowan’s Still Lives with Apocalypse
2020
Benjamin Francis Cassidy reviews Russell Jones’ Cocoon.
Hannah Stone reviews Nick Allen’s the riding.
Charles Rammelkamp reviews Donald Platt’s One Illuminated Letter of Being.
Hannah Stone reviews Natalie Scott’s Rare Birds: Voices of Holloway Prison.
Pippa Little reviews Ric Cheyney’s In Praise of Nahum Tate.
David Mark Wiliams reviews Terry Tierney’s The Poet’s Garage.
Hannah Stone reviews Amanda Huggins’ The Collective Nouns for Birds
Benjamin Francis Cassidy reviews Elisabeth Horan’s Bad Mommy Stay Mommy
Charles Rammelkamp reviews Natalie Diaz’s PostColonial Love Poem
Hannah Stone reviews Oz Hardwick’s The Lithium Codex
Charles Rammellkamp reviews Jeffrey McDaniel’s
Holiday in the Islands of Grief
Rosemary Badcoe reviews J.R. Solonche’s, The Time of Your Life
Hannah Stone reviews Claire Walker’s Collision
David Mark Williams reviews Oisín Breen’s Flowers All Sorts in Blossom, Figs, Berries and Fruits Forgotten
Hannah Stone on Matthew Caley’s Trawlerman’s Turquoise
David Mark Williams on The Valley Press Anthology of Prose Poetry
Hannah Stone on Emma Lee’s The Significance of a Dress
and Rachel Burns, a girl in a blue dress
Hannah Stone on Selima Hill’s I May Be Stupid But I’m Not That Stupid
M. J. Iuppa on J. R. Solonche’s Truɘ Enough.
Fiona Sinclair on Charlotte Ansell’s Deluge
Karla Huston on Abby Frucht’s Maids.
Charles Rammelkamp on Marianne Boruch’s The Anti-Grief.
Usha Kishore on Jason Eng Hun Lee’s Beds in the East
David Mark Williams on Patrick Lodge’s Remarkable Occurrences
JANUARY
Patricia Carragon on Karen Neuberg’s the elephants are asking
Gopal Lahiri on Sunil Sharma, Intersections- Visual, Verbal
Fiona Sinclair on Nancy Charley’s The Gospel of Trickster
2019
DECEMBER
Albert Gelpi’s American Poetry After Modernism
Helen Ivory’s The Anatomical Venus
Jackie Craven’s Secret Formulas: Techniques of the Masters
David Mark Williams’ Papaya Fantasia
Aaron Smith’s The Book of Daniel
David Mark Williams on Hannah Stone’s Sŵn y Morloi.
Charles Rammelkamp on Reuben Jackson’s Scattered Clouds: New and Selected Poems.
Pippa Little on Sarah L. Dixon’s Adding Wax Patterns to Wednesday
Fiona Sinclair on Rosie Johnston’s Six-Count Jive
David Mark Wiliams on Fiona Sinclair’s The Time Traveller’s Picnic.
Charles Rammelkamp on Robert Cooperman’s That Summer.
Hannah Stone on Niall Campbell’s Noctuary
Jayne Marek on Claudia Serea & Maria Haro’s TwoIxism
Charles Rammelkamp on Clarinda Harriss/Peter Bruun’s
Innumerable Moons.
Colin Pink on Kavita A Jindal’s Patina.
Hannah Stone on Harry Clifton’s Herod’s Dispensations.
Grant Tarbard on Helen Ivory’s Maps of the Abandoned City.
David Mark Williams on J.R. Solonche’s, Tomorrow, Today, and Yesterday
Hannah Stone on Vindication: Six Women Poets, ed. Cherry Potts
Grant Tarbard on Marie Lightman’s, Shutters
Hannah Stone on Marianne Burton’s Kierkegaard’s Cupboard.
Charles Rammelkamp on Chelsea Rathburn’s Still Life with Mother and Knife.
Gopal Lahiri on Kiriti Sengupta’s Solitary Stillness.
David Mark Williams on Cathy Bryant’s Erratics
Pippa Little on Jane Lovell’s Metastatic
Hannah Stone on Angi Holden’s Spools of Thread
Fiona Sinclair on Ayelet McKenzie’s Messages Written on Envelope Backs
2018
Robyn Bolam on Wendy Cope’s Anecdotal Evidence
David Fulton on The Poems of T.S. Elliot: Vol. 1
Jayne Marek on S. A. Leavesley’s How to Grow Matches
Charles Rammelkamp on Bradley Paul’s Plasma.
David Fulton on Lola Ridge’s, To the Many: Collected Early Works
Jayne Marek on Ruth Stacey and Katy Wareham-Morris’s Inheritance
M. J. Iuppa on J. R. Solonche’s In Short Order
Charles Rammelkamp on Donna Masini’s 4:30 Movie
Kavita A. Jindal on Usha Kishore’s Immigrant
Jayne Marek on Grant Tarbard’s Rosary of Ghosts.
Rodney Wood’s Dante Called You Beatrice.
Charles Rammelkamp on Francine Witte’s Café Crazy
M.J. Iuppa on Alicia Hoffman’s Railroad Phoenix
Jayne Marek on Sarah L. Dixon’s The Sky is Cracked and Joy Howard’s Foraging
Jack Little on Robyn Bolem’s Hyem
Fiona Sinclair on Nicky Phillips, Jam in Aisle 3
Charles Rammelkamp on Sarah Rose Nordgren’s Darwin’s Mother
Usha Kishore on Shanta Acharya’s Imagine: New and Selected Poems
NEWS
It’s not easy getting a book or pamphlet accepted for review these days. So I am starting a new review feature, in addition to the regular review section, which will allow more poets' books to reach a wider audience. It will be called One Poem Reviews and it will be just that. One poem featured from a new book/pamphlet along with a cover JPG and a link to the publisher's website. Contact the editor if you have released a book/pamplet in the last six months or to be releaed this year.
Reviewed in this issue
Seán Ó Ríordáin’s, Apathy is Out
Patrick Wright's Full Sight of Her
Laura Cronk's Ghost Hour
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