Lorrain Caputo, In the Jaguar Valley
Midnight Echoes
A solitary church bell
across the valley encircled
by mountains & snow-peaked volcanoes
Slow one toll then another & …
of this hour
Foot falls
down grimed brick sidewalks
Past a towering basalt cross
Across the worn grey stones
of the plaza
Past the gated fountain
still spilling
Stray & pet dogs
barking & barking
From blackened homes on dim corners
down narrow cobbled streets
& blind alleys
Pounding pounding
on a centuries-old door
Thick oak wood polished by
untold rapping knuckles
& guarded by iron
clasps & bolts, locks
heavy wooden bar
Police whistles
scattered throughout the dark
like cricket song
Diane Elayne Dees, The Wild Parrots of Marigny
Storm Debris
We have seen it before:
the downed trees, the piles of limbs,
shingles flung to the street,
dozens of overflowing trash cans
reeking of rotted vegetables.
We know the drill—
the power will come back on
some day. There will be cable TV
and Internet some day,
and when we least expect it,
our phones will work again.
We are tough, we are resilient,
but we are powerless to escape
the sounds—the roar of generators,
the constant buzz of saws—the sounds
of Katrina. They blow through
the deepest recesses of our psyches,
they flow like restless bayous
through our waking dreams.
We knew then that we would never
be the same. Our hair stopped growing,
or it fell out, or turned suddenly gray.
The displaced, with their glazed-over eyes,
were easy to recognize. The rest of us
shuddered every time we saw the images.
Our bodies tightened like vises
every time the talking heads told a story
that had nothing to do with what happened.
We hear the droning symphony of saws
and motors—the sounds that remind us
that our DNA has been altered,
and that future generations will bear these genes.
The never-ending soundtrack of Katrina
is background music for the movie
that will never stop running—people
crammed onto the floor of the Superdome,
beloved pets tossed into the street to drown,
the sound of bullets on the Danziger Bridge,
deputies entering houses and shooting dogs,
the caskets of long-dead relatives
floating down the street, the deadly effects
of black mold and lead poisoning,
the remains of looted stores,
the search for missing corpses,
the leader eating cake in the desert.
Suddenly, there are birds
and dragonflies again,
and one morning, the sun shines.
At some point, generators will shut down,
and the saws will be put away.
But their sounds remain,
vibrating through our cells,
a deadly signature unique to us—
the eternal hum of trauma.
Kris Falcon, Some Blue, A Little Spur
Before Some Mud
You say there is nothing there. I see a lake,
a ferry midway toward hillocks
the boatman is sure of. Mist or no.
I see dispersing in the woods, a fistful of children
and their father or brother, seekers.
I see you heading where none
disappear to,
the trails clear to all but me.
If we can dream of anything under the sun, we can
dream of God, so reads
an almanac on flowers.
It is a grower’s map, rustling as I follow.
How tiresome I am, you make it known,
your back to me and some stream, smell
of sweaty mushrooms. You, carefully
sticking to “you and I” until the pickup broke down
then you began to sound like a curse as in
you are always eating a sandwich.
Mustard, mayo, tuna, black jack, wing, macaroni.
Less and less youthful, you.
That child you are.
Maybe I have not said a word. Letting it lag,
twisting a stem in my mouth. Dark unfolds to bare
there is nothing here. Rain gently falls its fatigue.
You might be softer now
that you are right. It is hazing up.
But doesn’t that mean some mountains?
I see how I am to depart.
Sarah Leavesley, Rain Falling
After the earth
heard thunder,
leaves held out their
tongues, the hedgerow
bindweed’s
white mouths
brimmed with bowlfuls
of pure
recycled river. May
blossom turned these to fonts
for the blessing of loosed
petals, butterflies, bees
& other insects. Birds sang
with warm wet freshness,
beaks
open & uplifted,
feathers
glistening. A shine
lingered
on every storm-
struck
surface, glossed
by sun & water, slick with equilibrium,
scents
of rich peat, valley grass & purple-heathered
moorlands. Walking was a way of living we didn’t
weigh
in heavy breaths
or heavy
hearts.
Our lungs
were
still
trees, our pulse
&
motion
paced by steady
ground
beneath, not
the swish of
fins
& tails, flit
of water past us,
slit
of gills too narrow
to sustain our
need
for oxygen or mass survival.