Reviews
2024
Hannah Stone reviews Sarah Wimbush’s Strike.
David Mark Williams reviews Ian Clarke’s Staying On.
Smitha Sehgal, Leslie Tate, Angela Topping.
Charles Rammelkamp reviews Niki Herd’s The Stuff of Hollywood.
Hannah stone reviews Fleur Adcock’s Collected Poems
and Kathleen Strafford’s Girl in the Woods.
Pippa Little reviews Martin Figura’s The Remaining Men
Mike Dillon, Scott Elder.
Charles Rammelkamp reviews Karen An-hwei Lee’s The Beautiful Immunity
J. R. Solonche reviews Stephen Cramer’s City Full of Fireworks & Blues
David Mark Williams reviews Mark Vernon Thomas’s
Dancing with Shadows and Stones
Deirdre Hines
Charles Rammelkamp reviews AE Hines’ Adam in the Garden.
David Mark Williams reviews J. R. Solonche’s God.
Linda McCauley Freeman
Hannah Stone reviews Jean Atkin’s High Nowhere and
Anne Caldwell’s Neither Here Nor There.
Charles Rammelkamp reviews Marsha de la O’s Creature.
Rhian Elizabeth, Marian Kaplun Shapiro.
David Mark Williams reviews Hannah Stone’s The Invisible Worm.
Charles Rammelkamp reviews Philip Metre’s Fugitive Refugee.
Marion McCready, Kelly Sargent.
“A Tribute to Louise Glϋck” by Cathy Porter.
Hannah Stone reviews Pippa Little’s Time Begins to Hurt.
Charles Rammelkamp reviews Dorothy Wall’s Catalogue of Surprises and Maurice Manning’s Snakedoctor
Melanie Hyo-In Han, My Dear Yeast
Diary Marif reviews Patrick Woodcock’s Farhang Book One
Hannah Stone reviews Helen Ivory’s Wunderkammer
David Mark Williams reviews J. R. Solonche’s The Eglantine
Jen Karetnick, Inheritance with a High Error Rate
David Fulton reviews Andrew Epstein’s The Cambridge Introduction to American Poetry since 1945
2023
Charles Rammelkamp reviews Jaswinder Bolina’s English as a Second Language and Alan Catlin’s How Will the Heart Endure?
Hannah Stone reviews J.V. Birch’s ice cream ‘n’ tar
Katherine Coda, Jonaki Ray, Hannah Stone.
Hannah Stone reviews Rachael Carney’s Octopus Mind
Alison Morse reviews Charles Rammelkamp’s Transcendence
David Mark Williams reviews Frances Sackett’s, House with the Mansard Roof
Lorrain Caputo, Diane Elayne Dees, Kris Falcon, Sarah Leavesley.
David Mark Williams reviews Paul McDonald’s 60 Poems.
Charles Rammelkamp reviews Mike Lala’s The Unreal City and Xiao Yue Shan’s, then telling be the antidote.
Alan Bern, Gram Joel Davies, J. D. Isip, Diana Manole.
Hannah Stone reviews Nick Allen’s local universes,
and Oz Hardwick’s A Census of Preconceptions.
J. R. Solonche reviews Mary Makofske’s No Angel.
Richard Robbins, Kelly Sargent, Ram Krishna Singh.
Charles Rammelkamp reviews David Groff’s Live in Suspense, and Bob Hicok’s Water Look Away.
Hannah Stone reviews Sarah Wimbush’s Shelling Peas with my Grandmother in the Gorgiolands.
James Brasfield, Gary D. Grossman, Kate Maxwell.
J. R. Solonche reviews David Giannini’s, Already Long Ago
Charles Rammelkamp reviews Matt Mauch’s A Northern Spring
Pauline Rowe/A J Wilkinson
Robert Cooperman reviews Magdalena Ball’s Bobish
Charles Rammelkamp reviews Baron Wormser’s The History Hotel
LindaAnn LoSchiavo, Elizabeth McCarthy
Hannah Stone reviews Jo Clement’s Outlandish
Charles Rammelkamp reviews Claudia Serea’s In Those Years
Catherine Esposito Prescott, Etheridge Knight, Caridad Moro-Gronlier
Charles Rammelkamp reviews Deborah Landau’s Skeletons
Dorothy Wall reviews Stewart Florsheim’s Amusing the Angels
Angela Arnold, John Bartlett, Karen Poppy
David Mark Williams reiviews Jean Atkin’s The Bicycles of Ice and Salt
Charles Rammelkamp reviews Dennis Hinrichsen’s Flesh-plastique
Alex Barr, Alison Stone
Hannah Stone reviews Clare Shaw’s Towards a General Theory of Love.
Charles Rammelkamp reviews Stephen Massimilla’s Frank Dark.
Charles Rammelkamp reviews Will Alexander’s Divine Blue Light.
2022
David Mark Williams reviews Jennifer A. McGowan’s,
How to be a Tarot Card (Or a Teenager)
Charles Rammelkamp reviews Kayleb Rae Candrilli’s Water I Won’t Touch
Maggie Sawkins, Joolz Sparkes.
Charles Rammelkamp reviews Kathleen Rooney’s, Where Are the Snows
Hannah Stone reviews Oz Hardwick’s Reports Come In
David Mark Williams reviews Jack Little’s Slow Leaving
Claire Booker, Christina Buckton, Don Narkevic, Emily Schulten.
David Mark Williams reviews Fiona Sinclair’s Second Wind.
Hannah Stone reviews Hélène Demetriades’ the plumb line.
Charles Rammelkamp reviews Rachel Abramowitz’s The Birthday of the Dead.
Ben Banyard, Janet Hatherley.
Hannah Stone reviews Nick Allen’s morphine|bone|dream
Charles Rammelkamp reviews Tina Cane’s Year of the Murder Hornet
J V Birch, Pratibha Castle, Chella Courington.
Charles Rammelkamp reviews George Bilgere’s Central Air.
David Mark Williams reviews Peter Roberts’ Night Owling.
Joanne Durham, Estill Pollock, Susan Tayllor,Melody Wang.
Hannah Stone reviews Amina Alyal and Oz Hardwick’s The Still and Fleeting Fire.
David Mark Williams reviews Daniel Skyle’s On the other side of the beach, light.
Dominic James, Sarah James, Gordon Meade.
David Mark Williams reviews Alison Locke’s Unfurling
Hannah Stone reviews Hannah Lowe’s The Kids
Charles Ramellkamp review Kate Gale’s The Loneliest Girl
Stephen Anderson, Linda McAuley Freeman
Hannah Stone reviews Mark Totterdell’s Mollusc
J. R. Solonche reviews Marilyn L. Taylor’s Outside the Frame
Elaine Sexton, Drive
David Mark Williams reviews Tom Kelly’s This Small Patch
Charles Rammelkamp reviews NYC From the Inside edited by George Wallace
Paul Jones, Miriam Sagan, Alex Vellis
Grant Tarbard reviews Huw Gwynn-Jones’ The Art of Counting Stars
Charles Rammelkamp reviews The Essential June Jordan
Marianne Brems, J. R. Solonche, Sarah Watkinson, Nina Zivancevic.
Charles Rammelkamp reviews Laura Kolbe’s Little Pharma
Mary Beth Hines, Winter at a Summer House.
2021
Charles Rammelkamp reviews Michael Salcman’s Shades and Graces.
Hannah Stone reviews Judith Wilson’s Fleet
One Poem Reviews: Clive Donovan, Kenneth Pobo.
Estil Pollock, Mark Totterdell.
Paul McDonald reviews Eric Falci’s The Value of Poetry
Hannah Stone reviews Ruth Aylett’s Pretty in Pink
Charles Rammelkamp reviews Ross Gay’s Be Holding
Kathleen Bainbridge, Julie McClean, Sanjeev Sethi.
Hannah Stone reviews Fleur Adcock’s The Mermaid’s Purse
David Mark Williams reviews J. R. Solonche’s Selected Poems 2001-2021
Alan Elyshevitz, Mike Farren, John L. Stanizzi
Paul McDonald reviews The Dolphin Letters, 1970-1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. ed. Saskia Hamilton
Charles Rammelkamp reviews Albert Goldbarth’s The Now
Hannah Stone reviews Sue Butler’s Learning from the Body
John Bartlett, Neil Fulwood, Julie Mclean, Sally Naker,
Sonya Smith, Simon Williams.
Charles Rammelkamp reviews Lee Sharkey’s, I Will Not Name It Except to Say
Ric Cheyney reviews Rachel long’s, My Darling from the Lions
Benjamin Francis Cassidy reviews Anna Saunders’ Feverfew
Debbie Collins, Annette Volfing, Rodney Wood, Bernadette MacAloon,
Andrea L. Fry.
David Mark Williams reviews Seán Ó Ríordáin’s, Apathy is Out
Hannah Stone reviews Patrick Wright’s, Full Sight of Her
Charles Rammelkamp reviews Laura Cronk’s, Ghost Hour
Claire Booker, Tom Rudd, J. C. M. Hepple,
John Gerard Fagan, Phil Vernon.
Jessica Barksdale reviews Alicia Hoffman’s Animal
Rosemary Badcoe reviews David Callin’s Always
David Mark Williams reviews Charles Rammelkamp’s Catastroika
David Mark Williams reviews David J. Costello’s Heft
Robert Cooperman reviews Charles Rammelkamp’s Ugler Lee
Hannah Stone reviews Anne Caldwell’s Alice and the North
Hannah Stone reviews Oz Hardwick’s Wolf Planet
Charles Rammellkamp reviews Peter Ramos’s Lord Baltimore
Hannah Stone reviews Angela Readman’s Cooking with Marilyn
Jack Little reviews Colin Carberry’s Ghost Homeland
Pippa Little reviews Paul Summers’ the dreamer’s ark,
Hannah Stone reviews Jennifer A McGowan’s Still Lives with Apocalypse
2020
Benjamin Francis Cassidy reviews Russell Jones’ Cocoon.
Hannah Stone reviews Nick Allen’s the riding.
Charles Rammelkamp reviews Donald Platt’s One Illuminated Letter of Being.
Hannah Stone reviews Natalie Scott’s Rare Birds: Voices of Holloway Prison.
Pippa Little reviews Ric Cheyney’s In Praise of Nahum Tate.
David Mark Wiliams reviews Terry Tierney’s The Poet’s Garage.
Hannah Stone reviews Amanda Huggins’ The Collective Nouns for Birds
Benjamin Francis Cassidy reviews Elisabeth Horan’s Bad Mommy Stay Mommy
Charles Rammelkamp reviews Natalie Diaz’s PostColonial Love Poem
Hannah Stone reviews Oz Hardwick’s The Lithium Codex
Charles Rammellkamp reviews Jeffrey McDaniel’s
Holiday in the Islands of Grief
Rosemary Badcoe reviews J.R. Solonche’s, The Time of Your Life
Hannah Stone reviews Claire Walker’s Collision
David Mark Williams reviews Oisín Breen’s Flowers All Sorts in Blossom, Figs, Berries and Fruits Forgotten
Hannah Stone on Matthew Caley’s Trawlerman’s Turquoise
David Mark Williams on The Valley Press Anthology of Prose Poetry
Hannah Stone on Emma Lee’s The Significance of a Dress
and Rachel Burns, a girl in a blue dress
Hannah Stone on Selima Hill’s I May Be Stupid But I’m Not That Stupid
M. J. Iuppa on J. R. Solonche’s Truɘ Enough.
Fiona Sinclair on Charlotte Ansell’s Deluge
Karla Huston on Abby Frucht’s Maids.
Charles Rammelkamp on Marianne Boruch’s The Anti-Grief.
Usha Kishore on Jason Eng Hun Lee’s Beds in the East
David Mark Williams on Patrick Lodge’s Remarkable Occurrences
JANUARY
Patricia Carragon on Karen Neuberg’s the elephants are asking
Gopal Lahiri on Sunil Sharma, Intersections- Visual, Verbal
Fiona Sinclair on Nancy Charley’s The Gospel of Trickster
New email address: poetry@thelakepoetry.co.uk
It's not easy getting a book or pamphlet accepted for review these days. So in addition to the regular review section, the One Poem Review feature will allow more poets' to reach a wider audience - one poem featured from a new book/pamphlet along with a cover JPG and a link to the publisher's website. Contact the editor if you have released a book/pamphlet in the last twelve months or expect to have one published.
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