Debbie Collins, he says I’m fierce
The Third Saturday in June
I was nursing some cheap gin
at this depressing little celebration,
watching my ex-lover
kiss his simpering new wife,
her mouth puckered
like an anus.
Pity? No thanks,
I've got plenty, tangled
in her veil and in
his laugh.
More gin for me, the averted eyes
around me small and mean.
I sneak outside with my drink.
The silence never sounded better.
Annette Volfing, Learning Finnish
The Good Days
You feel it almost more on the good days,
the way parents say Isn’t it quiet!
when their children are somewhere else;
on the good days when you’re baked through,
and tired from walking, and stand naked
in front of the mirror, trying to distinguish
sunburn from nettle sting, and the soul
peeks out of its hole like some little rodent,
and you know you can’t complain,
not after a day like that; yet you also know
that nothing’s really changed, and never will;
that there is no point to any day,
good or bad, other than to get through it,
so that it’s behind you, not in front,
not like that speckled girl in the mirror,
naked apart from her glass of wine,
her big eyes asking What now?
Rodney Wood, When Listening Isn’t Enough
Until the Train Comes
I don’t wanna see the man on the platform / he’s depressing as the end
with his belly & operatic life / I don’t wanna see the man on the platform
with his belly & operatic life / he’s depressing as the end
with those vocal chords / those lips / that breathe of wreckage and bones
I’m glad he wants to hear my story / with those vocal chords / those lips
I’m glad he wants to hear my story / that breathe of wreckage and bones
I don’t know what else he wants me to do / shall I kiss him / embrace him
tell him lies / what’s broken / I don’t know what else he wants me to do
tell him lies / what’s broken / shall I kiss him / embrace him
he’s waiting disguised as a shadow / waiting to hear something monstrous
without thinking I roll a cigarette / he’s waiting disguised as a shadow
without thinking I roll a cigarette / waiting to hear something monstrous
Bernadette McAloon, A Queen of Rare Mutations
Eating My Grandmother’s Words
I didn’t want the old words passed down,
mouth to mouth, womb to hip, milk to tongue to lip.
So I left them behind in larders,
shut them into sculleries, mislaid them in parlours.
Read new words, better words,
learned to conjugate subjugate and liberate.
Yet the old words haunt my kitchen,
hang suspended from the ghost of a wash-maid pulley:
peg bag, pinny, pestle,
poss stick, liberty bodice, trestle.
Less careless now, I fold them neatly into ottomans,
place and arrange them safely on dressers.
With no daughter to bequeath them to,
I’ll have to take them with me. Eat the old words,
swallow them whole, commit them to the ground
with me: bone, dust, peg bag, soul.
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Andrea L. Fry, Poisons & Antidotes
Simple Weapons
No subterfuge
in ax or club.
Rocks bound
by crisscrossed straps
to thick, wooden handles,
loutish thugs,
their purpose made public
well before the raised hand.
Single-minded in their arc
to hurt.
Their beginning is their middle
is their end.
The good man who carries them
will perish
in his savage honesty
mid-scream
by a single arrow
dipped in tubocurarine.