Alex Barr, Bedding Plants for My Father
Letters To My Daughter
1
Hawking says time, elastic
and hooked like a cycle bungee,
can suddenly snap back:
I tap the brass fox knocker.
Hello from the Asian boys
going in and out next door.
Your variegated laurel.
Your rippled glass.
Your shape blurred in the hall.
Tall I remember. Warm
embrace, that too. Face
an identikit from my album.
2
How long can this go on?
Two thousand seven hundred
and eighty-four days gone
since the last time we met.
How beautiful you were.
Forgive how little I said.
But how could you listen then,
smug, nose in the air,
party feet turned in?
Spring. The borders packed
With scents. My plan to forget
your coldness blocked.
3
Shall we be meeting soon
when the white owl flies
out of the creaking barn?
Or at the bluestone gate
below Carningli where
the forest path comes out?
Will you amaze with a rustle
of dead hag’s-taper stalks
the garden at Picton Castle
and when the new year chimes
argue with me there
beside the clumps of thyme?
4
A window coloured to show
a sailing ship at sunset.
Framed rules. No music, no.
Neck weals carefully hidden
by silk. Around one wrist
a colorful braid ribbon.
Smug, nose in the air.
Why do we never meet?
Or are you everywhere?
The moon is above the barn.
Smell: I’m planing wood.
Listen: the wind is calm.
Alison Stone, To See What Rises
Diana Explains About Actaeon
It wasn’t modesty, I’m gorgeous,
although aeons older than the stars
you discard at first sag. A goddess
has no expiration date. And no,
I won’t titillate you with descriptions
of my eyes or muscle tone. There’s
far too much of that in poems.
No boy can reduce me
to a worn-out trope – woman exposed
or shining in the light
of the male gaze.
He needed to learn
how an object feels.
I cast my spell.
I called the dogs.