Katherine Bainbridge, Inscape
To Curiosity
At the edge of the earth your old shop glows in the dark,
stuffed to the gills with feathers, faces, maps,
urns, coins and, behind pocked glass,
moondust, stardust, crystals of ice
from the outer rings of Saturn, a winter rose,
the names of all the lost in a box locked fast
against idle gaze.
You hear the Darro rumble its buried course
under a Moorish moon, see the way moth-flies
fold their wings so neat and flat
behind their backs, but what you do best
is lead astray, with your eye on the cracks in the wall
of the world, your smile in the coals of the fire,
your voice in my ear.
I never gave my heart to you,
you crept up close and stole it
from my shadow.
A Japanese calligrapher’s brush
creates both word and thing
each time anew.
Julie Maclean, Unsettled
Allegro non Troppo That’s What it Triggered
Late morning south of Capricornia
through the dull interior
of infinite bitumen
you could lose the will to live
if it weren't for the show on high
An archipelago of behemoths
is lugging at the speed of cloud
across the screen –
duck on a wall, blind snail
splayed-leg toad
They seem on a parade
to some celestial ark
Noah letting them all in
By dusk the light
is a descending grey
wan tones from the failing sun
A turtle with no flippers
turns to gossamer wings
in a whisper of sweepers
Amputation by godly brushstroke –
true nature of cirrus
Sanjeev Sethi, Bleb
Offing
The beauty of brackens acknowledges my presence
with a little jig. I smile back like one does to a natty
new arrival in the neighborhood. The emptiness in
those eyes summons me to shoal them with a fairing
of emollients. A poem isn’t a fable or folktale. Its
task is to temper with images and ideas that create
one’s fantasy or factuality: like those oeillades.